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MATM07534 |
MATISSE BRUSH/HAND CLEANER 75ml. Naturally derived from replenishable natural resources containing no toxic, hazardous, or polluting ingredients - grey water and septic tank safe and completely biodegradable. |
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MATM102 |
MATISSE 1Ltr IMPASTO MEDIUM. Impasto medium is ideal for creating highly textured surfaces, brush stroke and impasto painting techniques, particularly when heavily built-up areas of colour are required. |
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MATM104 |
#MATISSE ARTIST ACRYLIC GEL MEDIUM 1 LITRE. Matisse Gel medium acts as a clear, transparent colour extender in the production of brilliant coloured glazes and as a transparent impasto for thick 3D brush and knife applications. Please note item with descriptions pre-fixed # are special order products and generally available within a few days following receipt of your order. |
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MATM105 |
#MATISSE ARTIST ACRYLIC MAT MEDIUM 1 LITRE. Incorporation of Mat medium within paint will reduce the sheen of the paint to a very flat or low sheen finish allowing work to be easilt photograped. Please note item with descriptions pre-fixed # are special order products and generally available within a few days following receipt of your order. |
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MATM108 |
#MATISSE ARTIST ACRYLIC SPREADER MEDIUM 1 LITRE. Matisse spreader medium is a transparent flowing paste. its main application is for glazing where it imparts fine flow and controlled spreadability and lubrication of the paint. Please note item with descriptions pre-fixed # are special order products and generally available within a few days following receipt of your order. |
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MATM109 |
#MATISSE ARTIST ACRYLIC PAINTING MEDIUM 1 LITRE. A pure acrylic binder used in addition with equal parts water to ensure paint remains waterfast when they are reduced for glazing or any other purpose where water is added to the paint. Please note item with descriptions pre-fixed # are special order products and generally available within a few days following receipt of your order. |
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MATM110 |
MATISSE GESSO MEDIUM 1 LITRE. Brilliant white, fully opaque primer. Does not crack or yellow Waterproof. Please note item with descriptions pre-fixed # are special order products and generally available within a few days following receipt of your order. |
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MATM112 |
MATISSE CLEAR SEALER 1 LITRE. Special formula for Folk Art techniques. Can also be applied as a clear basecoat on to glass or perspex and left to dry, with Matisse Flow Colours being applied over the top to simulate stained glass. For more transparent effects mix the Flow Colours with Spreader Medium (MM8). A final coat of Clear Sealer will provide water resistance. |
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MATM116 |
#MATISSE MARBLING GEL MEDIUM 1 LITRE. Marbling gel can be used for textured effects and various marbling techniques. Please note item with descriptions pre-fixed # are special order products and generally available within a few days following receipt of your order. |
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MATM119 |
MATISSE GLOSS POLYURETHANE VARNISH 1 LITRE. A water based finishing varnish which provides a clear, non-yellowing and hard wearing finish for all hard surfaecs painted with acrylic paints. |
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MATM120 |
#MATISSE WATERBASED PATINA MEDIUM 1 LITRE. A glazing medium designed to slow the drying time of the paintbut keep the binding and waterfast capacity of the paint intact, no matter how little paint is used. Also a great way to antique without the hassle of oil-based mediums. Please note item with descriptions pre-fixed # are special order products and generally available within a few days following receipt of your order. |
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MATM122 |
MATISSE PRINTING PASTE 1 LITRE. Mix thoroughly, equal parts of Print Paste and any Matisse Acrylic Colour to produce a screen printing paste/ink. Good open time (i.e. dries slowly in the screen preventing clogging) and 5% Drying Retarder can be added for even longer drying time. |
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MATM124 |
MATISSE IRIDESCENT MEDIUM 1 LITRE. Gives a pearlescence/iridescence when added to Matisse colours. Can be mixed in any proportion. Contains no fillers or titanium dioxide; therefore the resultant mixes of iridescent colours are far more intense and richer in colour. |
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MATM125 |
MATISSE BLACK GESSO 1 LITRE. A great permanent, flexible primer for canvas, board or even paper. An intense black ground with an excellent tooth for easy paint manipulation. |
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MATM126 |
MATISSE TRANSPARENT GESSO 1 LITRE. This is a (near) transparent, flexible primer for canvas, board or paper with excellent tooth for easy paint manipulation. Has been specifically formulated to be mixed with the Matisse Background colours to give a coloured primer with extra tooth for painting and especially as a pastel primer. |
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MATM127 |
MATISSE LOW VISCOSITY GESSO 1 LITRE. An easy to apply, free flowing gesso that can be brushed on straight from the jar. |
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MATM128 |
MATISSE SATIN POLYMER VARNISH 1 LITRE. A water based acrylic varnish that is non-yellowing and dries completely clear with a semi-gloss finish. |
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MATM130 |
MATISSE MATT GEL MEDIUM 1 LITRE. Matisse Gel medium acts as a clear, transparent colour extender in the production of brilliant coloured glazes and as a transparent impasto for thick 3D brush and knife applications. |
1 |
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MATM131 |
MATISSE OPEN MEDIUM 1 LITRE. Matisse Open Medium has been formulated to be mixed with acrylic colours to assist in prolonging drying time while maintaining the consistency of the paint. Ideal for outdoor painting or in hot weather, Open Medium allows the paint to be blended on the painting surface for longer. |
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MATM136 |
MATISSE HIGH TOOTH GESSO (ENCAUSTIC) 1 LITRE. Matisse High Tooth Gesso provides an easy alternative to creating a surface for Encaustic work or as a prmer for oil and soft pastel work. Used straight, the gesso dries to a white matt surface with lots of bite. Waterbased and contains no acrylic resins. |
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MATM137 |
MATISSE SELF LEVELING MEDIUM 1 LITRE. Matisse Self Levelling Medium (High Gloss Pouring Medium) is a clear gel that when applied to a surface or a paint additive will automatically spread and create a smooth glossy finish with minimal surface texture. Ideal for high gloss thick varnishing, glazing and pouring techniques. |
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MATM239 |
MATISSE WATERCOLOUR GROUND 250ml. Matisse Watercolour Ground allows you to create that same absorbency and feel of paper on almost any substrate that a normal acrylic would adhere to. You can use watercolour techniques like washes, lifting off, and layering on unique substrates. |
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MATM25001 |
MATISSE DRYING RETARDER 250ml. Drying retarder may be used in watercolour painting, water wash effects, stain painting and hard edge techniques where it assists in pigment wetting, rapid colour diffusion and penetration. |
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MATM25002 |
MATISSE IMPASTO MEDIUM 250ml. Impasto medium is ideal for creating highly textured surfaces, brush stroke and impasto painting techniques, particularly when heavily built-up areas of colour are required. |
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MATM25003 |
MATISSE SURFACE BREAKER 250ml. This product is a dispersant and is used to break down the surface tension of acrylic paints. It acts as a powerful penetrating agent. It is also known as watercolour medium or flow medium. Used correctly it will reduce the viscosity of Matisse colours making it more fluid by increasing its flow properties. Its presencr within a water and paint mixture will gretaly facilitate colour penetration into absorbent paper or fabric grounds. |
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MATM25004 |
MATISSE GEL MEDIUM MM4 250ml. Matisse Gel medium acts as a clear, transparent colour extender in the production of brilliant coloured glazes and as a transparent impasto for thick 3D brush and knife applications. |
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MATM25005 |
MATISSE MATTE MEDIUM 250ml. Incorporation of Mat medium within paint will reduce the sheen of the paint to a very flat or low sheen finish allowing work to be easilt photograped. |
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MATM25008 |
MATISSE SPREADER MEDIUM 250ml. Matisse spreader medium is a transparent flowing paste. its main application is for glazing where it imparts fine flow and controlled spreadability and lubrication of the paint. |
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MATM25009 |
MATISSE PAINTING MEDIUM 250ml. A pure acrylic binder used in addition with equal parts water to ensure paint remains waterfast when they are reduced for glazing or any other purpose where water is added to the paint. |
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MATM25010 |
MATISSE GESSO MEDIUM 250ml. Brilliant white, fully opaque, waterproof when dry primer that does not crack or yellow. |
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MATM25012 |
MATISSE CLEAR SEALER 250ml. Special formula for Folk Art techniques. Can also be applied as a clear basecoat on to glass or perspex and left to dry, with Matisse Flow Colours being applied over the top to simulate stained glass. For more transparent effects mix the Flow Colours with Spreader Medium (MM8). A final coat of Clear Sealer will provide water resistance. |
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MATM25013 |
MATISSE FABRIC FIXER MEDIUM 250ml. Fabric fixative allows you to use your exisitng Matisse colours to paint a lasting artwork on fabric. Fabric fixative mixed with acrylic colours (preferably flow formula) will become permanent on T-shirts and most fabrics after heat fixing |
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MATM25016 |
MATISSE MARBLING GEL MEDIUM 250ml. Marbling gel can be used for textured effects and various marbling techniques. |
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MATM25020 |
MATISSE WATERBASED PATINA 250ml. A glazing medium designed to slow the drying time of the paint but keep the binding and waterfast capacity of the paint intact, no matter how little paint is used. Also a great way to antique without the hassle of oil-based mediums. |
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MATM25024 |
MATISSE IRIDESCENT MEDIUM 250ml. Gives a pearlescence/iridescence when added to Matisse colours. Can be mixed in any proportion. Contains no fillers or titanium dioxide; therefore the resultant mixes of iridescent colours are far more intense and richer in colour. |
2 |
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MATM25026 |
MATISSE TRANSPARENT GESSO 250ml. This is a (near) transparent, flexible primer for canvas, board or paper with excellent tooth for easy paint manipulation. Has been specifically formulated to be mixed with the Matisse Background colours to give a coloured primer with extra tooth for painting and especially as a pastel primer. |
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MATM25030 |
MATISSE MATT GEL MEDIUM 250ml. Matisse Gel medium acts as a clear, transparent colour extender in the production of brilliant coloured glazes and as a transparent impasto for thick 3D brush and knife applications. |
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MATM25031 |
MATISSE OPEN MEDIUM 250ml. Open medium has been designed to extend the open or working time of traditional acrylics.This allows for a more relaxed approach that is often desired for softening, shading or blending. Open medium allows the paint to resist skinning on the palette when painting. |
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MATM25032 |
MATISSE LIGHT MODELLING PASTE 250ml. Light Modelling Paste is a new modelling compound that has the same qualities as regular Impasto Medium, but with a lighter body and finish. Like traditional impasto products, Light Modelling Paste is used to build relief and texture and it can be used on its own or mixed with paint, ink or pigment. |
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MATM25034 |
MATISSE BRUSH AND HAND CLEAN 250ml. Naturally derived from replenishable natural resources containing no toxic, hazardous, or polluting ingredients - grey water and septic tank safe and completely biodegradable. |
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MATM25035 |
MATISSE BRUSH RESTORER 250ml. This product can remove dried, built up paint from brushes without the use of harsh chemicals. Contains natural solvents and vegetable-derived, non-hazardous detergents and will not corrode brush ferrules - grey water and septic tank safe and completely biodegradable. |
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MATM25036 |
MATISSE HIGH TOOTH GESSO 250ml. Matisse High Tooth Gesso provides an easy alternative to creating a surface for Encaustic work or as a primer for oil and soft pastel work. Used straight, the gesso dries to a white matt surface with lots of bite. Waterbased and contains no acrylic resins. |
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MATM25037 |
MATISSE SELF LEVELING MEDIUM 250ml. Matisse Self Levelling Medium (High Gloss Pouring Medium) is a clear gel that when applied to a surface or a paint additive will automatically spread and create a smooth glossy finish with minimal surface texture. Ideal for high gloss thick varnishing, glazing and pouring techniques. |
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MATM402 |
MATISSE IMPASTO MEDIUM 4 LITRE |
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MATM410 |
MATISSE GESSO MEDIUM 4 LITRE. Brilliant white, fully opaque primer. Does not crack or yellow Waterproof. |
1 |
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MATM422 |
#MATISSE ACRYLIC PRINTING PASTE 4 LITRE. Mix thoroughly, equal parts of Print Paste and any Matisse Acrylic Colour to produce a screen printing paste/ink. Good open time (i.e. dries slowly in the screen preventing clogging) plus 5% Drying Retarder can be added for even longer drying time. Please note item with descriptions pre-fixed # are special order products and generally available within a few days following receipt of your order. |
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MATM425 |
MATISSE GESSO BLACK 4 LITRE. A great permanent, flexible primer for canvas, board or even paper. An intense black ground with an excellent tooth for easy paint manipulation. |
1 |
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MATM427 |
#MATISSE LOW VISCOSITY GESSO 4 LITRE. An easy to apply, free flowing gesso that can be brushed on straight from the jar. Please note item with descriptions pre-fixed # are special order products and generally available within a few days following receipt of your order. |
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MATM50010 |
MATISSE GESSO MEDIUM 500ml. Brilliant white, fully opaque primer. Does not crack or yellow Waterproof. |
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MATM50025 |
MATISSE BLACK GESSO 500ml. A great permanent, flexible primer for canvas, board or even paper. An intense black ground with an excellent tooth for easy paint manipulation. |
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MATM50027 |
MATISSE LOW VISCOSITY GESSO 500ml. An easy to apply, free flowing gesso that can be brushed on straight from the jar. |
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MATM50033 |
MATISSE CONSERVATION VARNISH 500ml. A final clear gloss varnish that is quick drying, and designed to give your painting that final glow but with the added benefit of UV protection. Matisse Conservation Varnish will slow the rate of fading of printed material as it reduces UV light spectrum by more than 99%. |
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MATM7531 |
*MATISSE OPEN MEDIUM 75ml SAMPLE TUBE. Matisse Open Medium has been formulated to be mixed with acrylic colours to assist in prolonging drying time while maintaining the consistency of the paint. Ideal for outdoor painting or in hot weather, Open Medium allows the paint to be blended on the painting surface for longer. |
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MATM75KIT |
MATISSE MEDIUMS KIT 5x75ml. This set of Matisse mediums would be great for the artist on the move. The attractively packaged kit contains an assortment of the most useful and popular mediums. The set contains a 1 x 75ml tube each of Impasto medium, Surface Tension Breaker, Gel Medium, Polymer Gloss Varnish and Open Medium. |
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MATTGVD |
MATISSE TechGuide/VisualDiary. Use and application guide. |
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MDM25CB |
DRY MEDIUM 250 CALCINATED BAUXITE. Calcinated Bauxite can be used in mixed media and collage as well as for adding texture to paintings. Mix with MM2 Impasto Medium, MM4 Gel Medium or MM30 Matt Gel Medium. For the best adhesion it is important not to make the mix too dry. |
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MDM25CRG |
DRY MEDIUM 250 CRUSHED GARNET. This deep red transparent gemstone has an attractive glowing rich red colour. Glaze or varnish to achieve even deeper colour. Crushed garnet is suitable for texture for paintings or collage. For the best results mix up to equal parts crushed garnet with either MM4 Gel Medium, or MM7 Gloss Varnish and Gloss Medium. |
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MDM25GB15 |
DRY MEDIUM 250 GLASS BEAD 1.5mm. These smooth round glass beads can be used on paintings, mixed media or collage. For best results mix with Gel Medium MM4, or MM7 Gloss Varnish and Gloss Medium to maintain brightness. They can also be dropped into medium painted onto the surface. |
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MDM25GB3 |
DRY MEDIUM 250 GLASS BEAD 3mm. These smooth round glass beads can be used on paintings, mixed media or collage. For best results mix with Gel Medium MM4, or MM7 Gloss Varnish and Gloss Medium to maintain brightness. They can also be dropped into medium painted onto the surface. |
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MDM25GM |
DRY MEDIUM 250 GROUND MARBLE. Ground Marble can be mixed directly with paint, to add bulk without changing the colour and while retaining the elements that allow the paint to harden. A white transparent powder, it mixes successfully with any Matisse or Derivan medium. Larger proportions make the paint a little stringy, and this feature can be manipulated to give interesting results. |
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MDM25LG7 |
DRY MEDIUM 250 LANGLANG 7.00mm. Use in paintings, mixed media and collage, or the finest grade on collograph plates. Before applying, mix with MM2 Impasto Medium, MM4 Gel Medium, MM6 Polymer Matt Varnish (water-based), MM7 Poly Gloss Varnish, MM28 Polymer Satin Varnish (water-based) or MM30 Matt Gel Medium. |
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MDM25LS05 |
DRY MEDIUM 250 LANGLANG 0.5mm. Use in paintings, mixed media and collage, or the finest grade on collograph plates. Before applying, mix with MM2 Impasto Medium, MM4 Gel Medium, MM6 Polymer Matt Varnish (water-based), MM7 Poly Gloss Varnish, MM28 Polymer Satin Varnish (water-based) or MM30 Matt Gel Medium. |
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MDM25LS1 |
DRY MEDIUM 250 LANGLANG 1.00mm. Use in paintings, mixed media and collage, or the finest grade on collograph plates. Before applying, mix with MM2 Impasto Medium, MM4 Gel Medium, MM6 Polymer Matt Varnish (water-based), MM7 Poly Gloss Varnish, MM28 Polymer Satin Varnish (water-based) or MM30 Matt Gel Medium. |
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MDM25LS3 |
DRY MEDIUM 250 LANGLANG 3.00mm. Use in paintings, mixed media and collage, or the finest grade on collograph plates. Before applying, mix with MM2 Impasto Medium, MM4 Gel Medium, MM6 Polymer Matt Varnish (water-based), MM7 Poly Gloss Varnish, MM28 Polymer Satin Varnish (water-based) or MM30 Matt Gel Medium. |
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MDM25LS5 |
DRY MEDIUM 250 LANGLANG 5.00mm. Use in paintings, mixed media and collage, or the finest grade on collograph plates. Before applying, mix with MM2 Impasto Medium, MM4 Gel Medium, MM6 Polymer Matt Varnish (water-based), MM7 Poly Gloss Varnish, MM28 Polymer Satin Varnish (water-based) or MM30 Matt Gel Medium. |
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MDM25MF |
DRY MEDIUM 250 MICA FLAKES. Shiny pearlescent Mica Flakes make a durable yet flexible layer on the painted surface. The thin flakes are strong and tough. To retain their shimmer, mix Mica Flake with either MM4 Gel Medium, or MM7 Poly Gloss Varnish. Sprinkle small amounts of Matisse Mica Flake finely onto wet medium for maximum glistening effect. |
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MDM25MIC |
DRY MEDIUM 250 MICROSPHERES. Microspheres create ultra high build texture on large canvasses without adding weight. Microspheres make subtle textural effects. Use with MM2 Impasto Medium, MM4 Gel Medium, MM6 Polymer Matt Varnish (water-based), MM7 Poly Gloss Varnish, MM28 Polymer Satin Varnish (water-based) or MM30 Matt Gel Medium. |
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MDM25PUM |
DRY MEDIUM 250 PUMICE. Capable of creating unusual textures on large canvasses due to its light weight, Pumice is also suitable for mixed media, collage and collograph plates. |
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MDM25WOL |
DRY MEDIUM 250 WOLLASTONITE. Mix up to 50% Wollastonite to Matisse Background Colours to create a superb textured surface for pastels and charcoal. Wollastonite is ideal for acrylic paints due to its alkaline properties. Add to MM7 Poly Gloss Varnish, MM10 Gesso, MM27 Low Viscosity Gesso or MM28 Polymer Satin Varnish (water-based) to create texture in paintings on canvas. |
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MDM50BF |
DRY MEDIUM BLACK FLAKE HEX. Use these gleaming hexagonal black flakes as either a striking decorative effect or a distinctive texture on paintings and indoor sculptures. Precision cut from coated polyester film, Black Flake Hex is best used as a final finish to preserve its sparkle. |
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MDM50CB |
DRY MEDIUM CALCINATED BAUXITE.Calcinated Bauxite can be used in mixed media and collage as well as for adding texture to paintings. Mix with MM2 Impasto Medium, MM4 Gel Medium or MM30 Matt Gel Medium. For the best adhesion it is important not to make the mix too dry. |
2 |
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MDM50CRG |
DRY MEDIUM CRUSHED GARNET. This deep red transparent gemstone has an attractive glowing rich red colour. Glaze or varnish to achieve even deeper colour. Crushed garnet is suitable for texture for paintings or collage. For the best results mix up to equal parts crushed garnet with either MM4 Gel Medium, or MM7 Gloss Varnish and Gloss Medium. |
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MDM50FP |
DRY MEDIUM FERROUS POWDER. Use Ferrous Powder on paintings and mixed media. For a water resistant dark grey magnetic coating, mix up to equal parts of Ferrous Powder to a slurry with Gloss, Matt or Satin varnish , then seal with the varnish. |
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MDM50GB15 |
DRY MEDIUM GLASS BEAD 1.5mm. These smooth round glass beads can be used on paintings, mixed media or collage. For best results mix with Gel Medium MM4, or MM7 Gloss Varnish and Gloss Medium to maintain brightness. They can also be dropped into medium painted onto the surface. |
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MDM50GB3 |
DRY MEDIUM GLASS BEAD 3mm. These smooth round glass beads can be used on paintings, mixed media or collage. For best results mix with Gel Medium MM4, or MM7 Gloss Varnish and Gloss Medium to maintain brightness. They can also be dropped into medium painted onto the surface. |
1 |
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MDM50GM |
DRY MEDIUM GROUND MARBLE. Ground Marble can be mixed directly with paint, to add bulk without changing the colour and while retaining the elements that allow the paint to harden. A white transparent powder, it mixes successfully with any Matisse or Derivan medium. Larger proportions make the paint a little stringy, and this feature can be manipulated to give interesting results. |
1 |
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MDM50LG7 |
DRY MEDIUM LANGLANG GRAVEL 7mm. Use in paintings, mixed media and collage, or the finest grade on collograph plates. Before applying, mix with MM2 Impasto Medium, MM4 Gel Medium, MM6 Polymer Matt Varnish (water-based), MM7 Poly Gloss Varnish, MM28 Polymer Satin Varnish (water-based) or MM30 Matt Gel Medium. |
2 |
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MDM50LS05 |
DRY MEDIUM LANG LANG SAND 0.5mm. Use in paintings, mixed media and collage, or the finest grade on collograph plates. Before applying, mix with MM2 Impasto Medium, MM4 Gel Medium, MM6 Polymer Matt Varnish (water-based), MM7 Poly Gloss Varnish, MM28 Polymer Satin Varnish (water-based) or MM30 Matt Gel Medium. |
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MDM50LS1 |
DRY MEDIUM LANG LANG SAND 1mm. Use in paintings, mixed media and collage, or the finest grade on collograph plates. Before applying, mix with MM2 Impasto Medium, MM4 Gel Medium, MM6 Polymer Matt Varnish (water-based), MM7 Poly Gloss Varnish, MM28 Polymer Satin Varnish (water-based) or MM30 Matt Gel Medium. |
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MDM50LS3 |
DRY MEDIUM LANG LANG SAND 3mm. Use in paintings, mixed media and collage, or the finest grade on collograph plates. Before applying, mix with MM2 Impasto Medium, MM4 Gel Medium, MM6 Polymer Matt Varnish (water-based), MM7 Poly Gloss Varnish, MM28 Polymer Satin Varnish (water-based) or MM30 Matt Gel Medium. |
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MDM50LS5 |
DRY MEDIUM LANG LANG SAND 5mm. Use in paintings, mixed media and collage, or the finest grade on collograph plates. Before applying, mix with MM2 Impasto Medium, MM4 Gel Medium, MM6 Polymer Matt Varnish (water-based), MM7 Poly Gloss Varnish, MM28 Polymer Satin Varnish (water-based) or MM30 Matt Gel Medium. |
2 |
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MDM50MF |
DRY MEDIUM MICA FLAKES. Shiny pearlescent Mica Flakes make a durable yet flexible layer on the painted surface. The thin flakes are strong and tough. To retain their shimmer, mix Mica Flake with either MM4 Gel Medium, or MM7 Poly Gloss Varnish. Sprinkle small amounts of Matisse Mica Flake finely onto wet medium for maximum glistening effect. |
1 |
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MDM50MIC |
DRY MEDIUM MICROSPHERES. Microspheres create ultra high build texture on large canvasses without adding weight. Microspheres make subtle textural effects. Use with MM2 Impasto Medium, MM4 Gel Medium, MM6 Polymer Matt Varnish (water-based), MM7 Poly Gloss Varnish, MM28 Polymer Satin Varnish (water-based) or MM30 Matt Gel Medium. |
1 |
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MDM50PUM |
DRY MEDIUM PUMICE. Capable of creating unusual textures on large canvasses due to its light weight, Pumice is also suitable for mixed media, collage and collograph plates. |
1 |
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MDM50WOL |
DRY MEDIUM WOLLASTONITE. Mix up to 50% Wollastonite to Matisse Background Colours to create a superb textured surface for pastels and charcoal. Wollastonite is ideal for acrylic paints due to its alkaline properties. Add to MM7 Poly Gloss Varnish, MM10 Gesso, MM27 Low Viscosity Gesso or MM28 Polymer Satin Varnish (water-based) to create texture in paintings on canvas. |
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